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Blackthorn

Bømlahamn

31.03.2018 - 19:58

Espevær around 1915, at “Biekronå”.

Espevær- the Trading Post

18.06.2018 - 20:16

In the sea west of Bømlo lies Espevær, half an hour’s rowing trip across the sound from Vespestadvågen. This is a well-run and well-maintained local community, established on the back of the rich herring fisheries in the 1850s. It is fishermen, skippers and the tradesmen who have made their mark on the culture in Espevær, with their contacts to the south towards Haugesund and across the North Sea to the British Isles.

The rectory at Finnes

Finnås rectory

31.03.2018 - 20:19

Hiskholmen around 1900

Hiskjo

18.06.2018 - 20:17

From a soapstone quarry at Lykling

Lykling- soapstone

22.08.2018 - 15:58

The old limestone quarry is today rebuilt and become Moster Amfi.

Moster amfi

18.06.2018 - 20:18

The church at Moster, as drawn by Johan Meyer in 1897.

Moster- The old church

18.06.2018 - 20:20

Moster is mentioned as a church site already in the time of Olav Tryggvason. According to the sagas the king is supposed to have laid the foundations for the first church at Moster when he came there in 995. That building would have been a stave church - the church standing there today – a stone church with a nave and narrower, straight chancel – was probably founded around 1100. In 1874 a new church was built at Moster. Then the old church was bought by The Society for the Preservation of Norwegian Ancient Monuments, which is still the owner.

From Rubbestadneset.

Rubbestadneset

18.06.2018 - 20:20

Einstapevoll

Einstapevoll- the farm

19.06.2018 - 17:10

Einstapevoll (from einstape: “bregne” (fern)) lies on the west side of the Tittelsnes peninsula. Up to 1831 the farm was a vicarage belonging to Stord parish. The priests had leasing rights. Land rent and other fees from the farm was part of their salaries.

Fartein Valen’s house, Valevåg.

In Memory of Fartein Valen

29.03.2018 - 22:55

“Fartein Valen is the key figure within newer Norwegian music. Not by way of being more popular than other younger composers, but because he aims at things higher, which he is fully confident of being able to reach since he commands all techniques. But there is a price to pay for reaching above the ordinary, and there is a price to pay for demanding more than the ordinary from the listeners. This is something Valen has experienced”.

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