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Gullbotnen

Gullbotnen

07.12.2018 - 10:32

A barren belt where almost nothing grows, runs through the forest on the east slope of Gullbotnen. But, along the west side of the main road there is a fertile zone that flourishes with several finicky plant types. The contrasts arise from the extreme variations in the nutrient content of the bedrock.

The bridge at Mørkhølen

Mørkhølen

13.12.2018 - 08:48

The combination building at Nordvik.

Nordvik

16.06.2018 - 17:27

The Nordvik seter. The prayer house to the left.

Nordvikasetret

30.03.2018 - 08:59

Notaholmen, Samnanger

Notaholmen

16.06.2018 - 17:28

The fishnet shed at Notaholmen stands as a reminder of the days when people used to row out on the fjord to set their nets. On Notaholmen the nets were dried, repaired and tanned. And it was a great advantage to store them in a place inaccessible for rats and mice.

Section of the lid of the chest painted around 1830, by Nils Johannesson Tveiterås

Tveit

16.06.2018 - 17:28

Tysse

Tysse

18.03.2018 - 08:08

As early as 1862 Svein L.Røsseland started a country store and lodging house at Ytre Tysse, and later on he became steamship agent and the first post office manager in Samnanger. However, the decisive change came when F.Mathiessen started A/S Samnanger Uldvarfabrik (woollen factory) in 1886.

Ådland

13.12.2018 - 08:31

Ådland, innermost in the Samnanger Fjord is an old church centre and transport centre; a nodal point in the transport from sea to land. The white painted church standing today, was built in 1851, but there were two older churches here in former centuries.

Einstapevoll

Einstapevoll- the farm

19.06.2018 - 17:10

Einstapevoll (from einstape: “bregne” (fern)) lies on the west side of the Tittelsnes peninsula. Up to 1831 the farm was a vicarage belonging to Stord parish. The priests had leasing rights. Land rent and other fees from the farm was part of their salaries.

Fartein Valen’s house, Valevåg.

In Memory of Fartein Valen

29.03.2018 - 22:55

“Fartein Valen is the key figure within newer Norwegian music. Not by way of being more popular than other younger composers, but because he aims at things higher, which he is fully confident of being able to reach since he commands all techniques. But there is a price to pay for reaching above the ordinary, and there is a price to pay for demanding more than the ordinary from the listeners. This is something Valen has experienced”.

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