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The Bondhus area in Maruanger has been a magnet for tourists ever since the stream of tourists to Norway's west coast began in the middle of the 1800s. The magnificent landscape with the "ice trail" up to Bondhusvatnet Lake, the ice falls from Bondhusbreen glacier and Keisarstigen trail up to Folgefonna are still popular tourist attractions.
The beautiful vicarage on the Fjelberg Island lies a few minutes walk up from the fjord, in a compact enclosure with the church south of the main building and the bishop’s residence to the north; a rare harmonic cluster.
The stately Kvinnherad Church with its characteristic profile set out against the mighty Malmangernuten in the background, gives you a rare feeling of being present in a historic landscape as you come around Nes and face the well-kept houses at the Skåla farm. The church at Skåla is one of four “fjordungskirker” (one of four main district churches) and this farm was the centre of this coastal administration district.
Ænes has been one of the prosperous farms at the Mauranger Fjord in medieval times. At the time of Harald Gilles, around 1130, we hear of GAUT at Ænes. The noble families around the Hardanger Fjord were prominent in the political sphere from early on, and it is obvious that the fine and openly situated farm at Ænes was also a good place for a Church.
Alvøen is one of the oldest industrial places in Norway. As early as the 1620s a gunpowder mill was built here. The place itself was well situated for industrial activity, lying only 100 m from the waterfall, which provided power for the mill, and a good harbour wherefrom the products were shipped. The success of the gun-powder mill varied in the 1600s and 1700s, but what made Alvøen best known was its paper production.
As a fairytale castle Damsgård Hovedgård lies on the slope rising up from the Puddefjord. The old connection between the farm and the sea, as we see it on Dreier’s prospectus from 1810, has been broken up by roads and encroachments in the building mass. But the main building itself is a central monument in Norwegian architecture from the 1700s – one of the finest representatives for the rococo period, with a magnificent and rich décor both in its interior and exterior.