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Klosteret

12.06.2018 - 19:10

Troldhaugen, Bergen

Troldhaugen

29.03.2018 - 22:49

Ramsøy with the remains of the old artillery positions.

Ramsøy

12.06.2018 - 17:02

“At thick of night a thundering knock on the door; the man in the house wakes up, jumps out and demands: Who cries? Yes, now you must out, the beacon shines on Høgenut. And in the same breath, every man knew that strife had hit the land.”

Section of the lid of the chest painted around 1830, by Nils Johannesson Tveiterås

Tveit

16.06.2018 - 17:28

Goltasund bridge and Goltasundet

Goltasundet

16.06.2018 - 17:34

For generations the land-seine was the most important tool for catching herring and mackerel, and therefore a suitable casting bay was worth its weight in gold. Goltasundet (the Golta sound) on Golta was such a place. Here the herring often drifted in and fantastic casts might be made here.

Skogsvågen, Sund. Picture from ca. 1890.

Skogsvåg

19.05.2018 - 19:47

Kval i våg! Når det ropet gjekk, var det berre å få ut den kraftige kvalnota til å stengja vågen med, og så kunne veidinga ta til. I uminnelege tider har det vore drive kvalveiding i Skogsvågen.

Deportations from Tælavåg 30 April 1942.

Tælavåg

16.06.2018 - 17:35

Tælavåg has a significant place in the history of the German occupation in WWII. The small community by the sea, where for centuries people had made a living from farming and fishing in harmony with the natural resources, in 1942 became the victim of German reprisals without their equal in Norwegian war history. The collection of war histories in Tælavåg provides us with a close-up of the dramatic events.

Up to the 1870s Osøyra was a military training area.

Osøyro

16.06.2018 - 16:00

The coastal settlement of Os begins to take form in the middle of the 1800s. This is when craftsmen and traders begin to settle at the river delta.

Ulevn Camp around 1915.

Ulven camp

16.06.2018 - 16:03

Lysøen, Os

Lysøen

27.03.2019 - 12:54

Lysøen, this fairytale castle with its Russian-inspired onion dome on the corner turret, stands as a reminder of the diversity of the period called Historicism and a monument to a versatile artist; a key figure in the Norwegian National Romanticism.

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