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In the lightly undulating landscape at Boga there lies an old house with several rooms on a small rise. In fact it looks like three houses built into one another; a scullery, a living room and a store with a loft. From other sources we know that this house had covered passageways and sheds round all the walls in the 19th century; a compressed “long house” with inter-connections between all the rooms. This is a building style from the Middle Ages that we see traces of; a building corresponding to those we have seen remains of at Høybøen in Fjell and Lurekalven in Lindås. Bogatunet was restored in 2006.
Down by the fjord on the farm Berge in Tørvikbygd, is Stekkavika – a sheltered eastward facing harbour, protected against the fjord by headlands and rocks, even manifest in the name. Here is also a comprehensive milieu of coastal industry, with boathouses and sea-sheds that belong to the farms Berge, Heradstveit and Halleråker. Belonging to the farm Berge there is also a mill-house, circular saw, workshop for sloop building, and – a little further up into the woods – the old water-powered sash-saw.
The farm Nes lies directly inside Mundheim on a forested headland in the fjord between Mundheimsvika and Bondesundet, a farm with an attractive and well-kept cultural landscape.
Norheim, “the farm by the narrow sound” is mentioned in a diploma from the Middle Ages and in an inheritance document. This is one of the large farms in Hardanger, of those that belonged to the powerful families; Sandven in Kvam, Torsnes in Jondal, Aga in Ullensvang and Spånheim in Ulvik.
Through Adolph Tidemand’s detailed close-ups of smokehouses in Kvam, the vicarage in Vikøy, where he lived during his painting trips through Hardanger, has obtained a central position in the Norwegian national romanticism.