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The mill that belonged to Johan Steinegger in Kvalvågen in Lindås, an attempt to exploit the difference in tides

Kvalvågen

16.06.2018 - 18:32

Store Milde, draft of the façade.

Store Milde

30.03.2018 - 08:38

The extended farm dwelling at Hopland

Hopland

03.01.2019 - 15:24

The farmhouses at holding No. 15 at Hopland are built together to form a long, continuous building, with dwelling house, hayshed and cowshed built in one row. There have been many such joined structures in the coastal communities, but today there are few remaining. If we travel to the other side of the North Sea, to the Faeroes, Shetland and the Orkney Islands, we find corresponding features in the older building traditions. We find ourselves in a large North Atlantic cultural area.

«Steene Gaard». Prospectus by J.F.L. Dreier, 1816

Stend

12.06.2018 - 19:21

Garden Stend høyrde i mellomalderen til Nonneseter kloster. Etter reformasjonen var han i eiga til Vincents Lunge fram til 1680. Då overtok generaltollforvaltar Hans Christophersøn Hiorth eigedommen. Hiorth vart adla i 1682, og Stend fekk status som adeleg setegard. Truleg fekk den staselege hovudbygningen si form i Hiorths embetstid.

D/S «Seimstrand» at bay in Salhus around 1906

Salhus

12.06.2018 - 19:20

Salhus has been a connecting point for sea travellers far back in time. The name probably derives from the Old Norse word sáluhús, “house for travellers”. The name may indicate that this was a place for an inn even in the Middle Ages. The place is eminently situated in the route to and from Bergen. For travellers coming by boat from Sogn and Nordhordland, Salhus is the last stop before Bergen. Travellers from the communities in Voss also came this way earlier when they were going to Bergen

Prospectus Damsgård, Bergen

Damsgård

12.06.2018 - 19:20

As a fairytale castle Damsgård Hovedgård lies on the slope rising up from the Puddefjord. The old connection between the farm and the sea, as we see it on Dreier’s prospectus from 1810, has been broken up by roads and encroachments in the building mass. But the main building itself is a central monument in Norwegian architecture from the 1700s – one of the finest representatives for the rococo period, with a magnificent and rich décor both in its interior and exterior.