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The Sivle farm, Voss

Brekke

19.06.2018

Frontalen fra den gamle stavkirken i Ulvik

Church Art – a Message in Pictures

19.05.2018

In the still and dim church interiors of the Middle Ages the performances of belief came to life in the gleam from the wax candles. Here the essential articles of faith were presented, here the church was presented through holy men and holy women and here the events from the Gospels were told: the angels with Maria, the birth of the baby Jesus, the Three Wise Men, the history of the drama of the Passion and the victorious Christ.

Fiddler Knut Hamre from Granvin

Folk Music and the Hardanger Fiddle

15.05.2018

It is in Hordaland County that we find the oldest traces of a folk music stemming from our national instrument, the Hardanger fiddle. And it is still this musical tradition which is characteristic of folk music here.

Rosemåling

Frette

06.03.2019

From Osterøy museum

Gjerstad

18.06.2018

Hardanger Folk Museum

Hardanger Folk Museum

27.05.2018

Hardanger fartøyvernsenter

Hardanger Maritime Museum

03.07.2019

The state residence at Holmen painted by Catharine Kølle, undated.

Holmen

19.06.2018

HOLMEN AND THE KØLLE FAMILY Holmen lies by the fjord, innermost in Ulvikpollen. Originally this was a small smallholding or coast dweller’s place belonging to the farm Håheim. Major Johan Henrik Palludan obtained leasehold for a part of Holmen in 1773, and erected a grand house, as he was the head of Nordre Hardangerske kompani. In 1806 Mrs Palludin sold Holmen to the somewhat eccentric theologian Kristian Kølle, and thus the Kølle family came to Ulvik. Today the Kølle house in Holmen is gone, today it is the residence of the principal of the State horticultural school that occupies the ground – a villa in the dragon style from the turn of the previous century.

The Boat Hall at the Horda Museum houses 26 clinker-built, open wooden boats

Horda Museeum

19.06.2018

Fartein Valen’s house, Valevåg.

In Memory of Fartein Valen

29.03.2018

“Fartein Valen is the key figure within newer Norwegian music. Not by way of being more popular than other younger composers, but because he aims at things higher, which he is fully confident of being able to reach since he commands all techniques. But there is a price to pay for reaching above the ordinary, and there is a price to pay for demanding more than the ordinary from the listeners. This is something Valen has experienced”.

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