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Einstapevoll (from einstape: “bregne” (fern)) lies on the west side of the Tittelsnes peninsula. Up to 1831 the farm was a vicarage belonging to Stord parish. The priests had leasing rights. Land rent and other fees from the farm was part of their salaries.
The main house at Færavåg was built in 1599. History tells us that a German came to Færavåg and built the house. He divided the land between his two sons. They in turn divided it between their two sons, thus there were four equal holdings on the farm. And it is said that all households lived in the same house. They each stayed in their own corner around the fire in the middle of the floor.
The single unit farm without a road to it, Haugsbø, is situated on the east side of the Tittelsnes peninsula facing Ålfjorden. As far back as the Middle Ages the farm has probably belonged to Stord Parish, up to the 1800s. In 1590 it was thought to be abandoned, but in 1601 Mickel Hougsbøe paid a tithe on the farm.
“Fartein Valen is the key figure within newer Norwegian music. Not by way of being more popular than other younger composers, but because he aims at things higher, which he is fully confident of being able to reach since he commands all techniques. But there is a price to pay for reaching above the ordinary, and there is a price to pay for demanding more than the ordinary from the listeners. This is something Valen has experienced”.
Vågsbygdo was severely hit by landslides and rock falls in the decades around 1700, in addition, the rivers transported masses of loose sediment, both large stones and gravel. A lot of what slid down from the Vågsliene (slopes at Våg) collected in Neravåge. It was so bad that the damage “never again can be remedied or restored”, it was said in 1670.
When you come into the well-tended farm steading at Sæbø just above Etne centre, you get the impression of a Sunnhordland farm from well before the time of the tractor; from the time of the horse and the scythe. The hamlet at Sæbø, one of the farms neighbouring to Gjerde, was taken over by Sunnhordland Folk Museum in 1938.