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Bru
Bruosen is one of the few river harbours in the county. As landing place for the churchgoers, this place and the boatshed environment follow a tradition that goes back to the Middle Ages, but the country store of today is much younger.
Einstapevoll- the farm
Einstapevoll (from einstape: “bregne” (fern)) lies on the west side of the Tittelsnes peninsula. Up to 1831 the farm was a vicarage belonging to Stord parish. The priests had leasing rights. Land rent and other fees from the farm was part of their salaries.
Golta- Long house
In the years between the wars a major registration of houses and house costumes, house construction methods, fireplaces and forms of housing clusters was started in West Norway – an ambitious mapping of everything that came under the name “Registration of Culture and Geography in West Norway”. One of the places of which material was gathered in 1938 was an old multi-room house at Golta; new and interesting material for the researchers from the Historical Museum, but well known within the local building tradition through several generations.
Goltasundet
For generations the land-seine was the most important tool for catching herring and mackerel, and therefore a suitable casting bay was worth its weight in gold. Goltasundet (the Golta sound) on Golta was such a place. Here the herring often drifted in and fantastic casts might be made here.
Haugsbø
The single unit farm without a road to it, Haugsbø, is situated on the east side of the Tittelsnes peninsula facing Ålfjorden. As far back as the Middle Ages the farm has probably belonged to Stord Parish, up to the 1800s. In 1590 it was thought to be abandoned, but in 1601 Mickel Hougsbøe paid a tithe on the farm.
Norheim
Norheim, “the farm by the narrow sound” is mentioned in a diploma from the Middle Ages and in an inheritance document. This is one of the large farms in Hardanger, of those that belonged to the powerful families; Sandven in Kvam, Torsnes in Jondal, Aga in Ullensvang and Spånheim in Ulvik.
Vikøy
Through Adolph Tidemand’s detailed close-ups of smokehouses in Kvam, the vicarage in Vikøy, where he lived during his painting trips through Hardanger, has obtained a central position in the Norwegian national romanticism.