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Xylograph of the shipyard, Bergen

Verftet

19.02.2019 - 14:12

Today the name “Verftet” is linked to both a district and conglomeration of buildings lying protected by Fredriksberg castle. The original shipyard was founded in the 1780s by Georg Brunchorst and Georg Vedeler. It was called Gerogenes Verft (the shipyards of the Georgs), and here ships were both built and repaired in the years after 1786.

Store Milde, draft of the façade.

Store Milde

30.03.2018 - 08:38

«Steene Gaard». Prospectus by J.F.L. Dreier, 1816

Stend

12.06.2018 - 19:21

Garden Stend høyrde i mellomalderen til Nonneseter kloster. Etter reformasjonen var han i eiga til Vincents Lunge fram til 1680. Då overtok generaltollforvaltar Hans Christophersøn Hiorth eigedommen. Hiorth vart adla i 1682, og Stend fekk status som adeleg setegard. Truleg fekk den staselege hovudbygningen si form i Hiorths embetstid.

Rope making

Sandviken

12.06.2018 - 19:56

Close to the tunnel opening at Amalie Skrams vei in Ssandviken, there is a cultural monument of European dimensions; a rope making works that produced rope and fishing tackle for West and North Norway.

D/S «Seimstrand» at bay in Salhus around 1906

Salhus

12.06.2018 - 19:20

Salhus has been a connecting point for sea travellers far back in time. The name probably derives from the Old Norse word sáluhús, “house for travellers”. The name may indicate that this was a place for an inn even in the Middle Ages. The place is eminently situated in the route to and from Bergen. For travellers coming by boat from Sogn and Nordhordland, Salhus is the last stop before Bergen. Travellers from the communities in Voss also came this way earlier when they were going to Bergen

Fjøsanger road

19.05.2018 - 19:23

Prospectus Damsgård, Bergen

Damsgård

12.06.2018 - 19:20

As a fairytale castle Damsgård Hovedgård lies on the slope rising up from the Puddefjord. The old connection between the farm and the sea, as we see it on Dreier’s prospectus from 1810, has been broken up by roads and encroachments in the building mass. But the main building itself is a central monument in Norwegian architecture from the 1700s – one of the finest representatives for the rococo period, with a magnificent and rich décor both in its interior and exterior.