Øystese- Kvam rural museum

Vikøy

Through Adolph Tidemand’s detailed close-ups of smokehouses in Kvam, the vicarage in Vikøy, where he lived during his painting trips through Hardanger, has obtained a central position in the Norwegian national romanticism.

Vika

Skogasel

Salhus

Salhus has been a connecting point for sea travellers far back in time. The name probably derives from the Old Norse word sáluhús, “house for travellers”. The name may indicate that this was a place for an inn even in the Middle Ages. The place is eminently situated in the route to and from Bergen. For travellers coming by boat from Sogn and Nordhordland, Salhus is the last stop before Bergen. Travellers from the communities in Voss also came this way earlier when they were going to Bergen

Norheim

Norheim, “the farm by the narrow sound” is mentioned in a diploma from the Middle Ages and in an inheritance document. This is one of the large farms in Hardanger, of those that belonged to the powerful families; Sandven in Kvam, Torsnes in Jondal, Aga in Ullensvang and Spånheim in Ulvik.

Måbø

Måbø is the uppermost farm in Måbødalen. This narrow and steep mountain valley has been one of the routes from the fjord communities up to the mountain plateau from times immemorial. We are not certain of the meaning of the name Måbø. Perhaps it has its origin in an Old Norse male name Mávi, from the name for seagull, már. The last syllable “bø” means farm. Today Måbø gives us a compact close-up of the subsistence economy: the small farm with the clearance piles, stone walls and a lane that guided the animals into the yard, at the foot of the great mountain expanse.

Horda Museeum

Hjølmo

In the steep hillside in Hjølmodalen, a small side valley from Øvre Eidfjord (Upper Eidfjord), which has been a key entrance to the Hardanger Plateau, the hamlet of old farmhouses still lie clustered together. The yard is empty today, some of the houses are used in the summer, but the grass grows round all the corners.

Damsgård

As a fairytale castle Damsgård Hovedgård lies on the slope rising up from the Puddefjord. The old connection between the farm and the sea, as we see it on Dreier’s prospectus from 1810, has been broken up by roads and encroachments in the building mass. But the main building itself is a central monument in Norwegian architecture from the 1700s – one of the finest representatives for the rococo period, with a magnificent and rich décor both in its interior and exterior.