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The rectory at Finnes

Finnås rectory

31.03.2018 - 20:19

Håbrekke farm

Hårbrekke

26.05.2018 - 16:35

The church at Moster, as drawn by Johan Meyer in 1897.

Moster- The old church

18.06.2018 - 20:20

Moster is mentioned as a church site already in the time of Olav Tryggvason. According to the sagas the king is supposed to have laid the foundations for the first church at Moster when he came there in 995. That building would have been a stave church - the church standing there today – a stone church with a nave and narrower, straight chancel – was probably founded around 1100. In 1874 a new church was built at Moster. Then the old church was bought by The Society for the Preservation of Norwegian Ancient Monuments, which is still the owner.

The Nottveit farms are situated without road access at Mofjorden.

Nottveit

17.06.2018 - 16:43

In one of the frame-built haysheds at Nottveit, at holding No. 3, we discover that several of the staves have a medieval look, with large dimensions and carefully rounded edges. According to tradition, it was the farms Nottveit and Mostraumen that supplied the timber for the stave church at Mo, and it is not unlikely that these farms received the old timber in return when the new church was erected there in 1593.

The hayshed in Håvik, Bømlo

Outer Håvika

16.11.2022 - 13:19

Selsøya

19.05.2018 - 20:37

Tangarås

Tangarås

19.06.2018 - 18:25

From his loft window on the doctor’s farm at Tangarås the young Hans Ernst Kinck had a view of the fjord and the Mauranger mountains. The fjord settlements in West Norway made a strong impression on the young boy when his family moved from Setesdal, from “the stifling mystique of the ballad”, to Strandebarm in 1876. The new district doctor bought the old captain’s farm at Tangarås, which had for some time been a military head farm after Håbrekke further into the settlement.

Smokehouse in Vikøy

Vikøy

27.05.2018 - 15:04

Through Adolph Tidemand’s detailed close-ups of smokehouses in Kvam, the vicarage in Vikøy, where he lived during his painting trips through Hardanger, has obtained a central position in the Norwegian national romanticism.