Agastølen

Whoever wanders the mountain plateau will form time to time hit upon old mountain summer farms, with solid old stone sheds, half sunk into the ground; a building tradition that has roots into prehistoric times. When we have been satiated with untouched Nature, it is somewhat comforting to come upon the old mountain chalets - they represent a type of human encroachment that we not only accept, but appreciate. They arouse a feeling of recognition and are a distinct witness to how people in the rural communities have made use of even the most remote resources.

Hæreid- archaeology

The biggest prehistoric burial site in Hordaland is situated at Hæreid. On top of the terrace expanse, inside the fine birch garden, is where they lie, the mounds and stone piles, on their own or in clusters, large and small, round and elongated – at least 350 in all.

Varberg

Storegraven

The first mention of Granvin church in written sources is in 1306, but the church location must be far older than this. The farm Storegraven is centrally situated at Granvinsvatnet, by the important traffic artery between Hardanger and Voss, where the road takes off to Ulvik.

Ulvik church

Botnen

Fyksesundet and Botnagrenda present a fine experience of the landscape and cultural history; a geographically isolated local settlement with extensive cultural contact with the outside world.

Tangarås

From his loft window on the doctor’s farm at Tangarås the young Hans Ernst Kinck had a view of the fjord and the Mauranger mountains. The fjord settlements in West Norway made a strong impression on the young boy when his family moved from Setesdal, from “the stifling mystique of the ballad”, to Strandebarm in 1876. The new district doctor bought the old captain’s farm at Tangarås, which had for some time been a military head farm after Håbrekke further into the settlement.

Tveit

Vikingnes

Vikøy

Through Adolph Tidemand’s detailed close-ups of smokehouses in Kvam, the vicarage in Vikøy, where he lived during his painting trips through Hardanger, has obtained a central position in the Norwegian national romanticism.