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Fjelberg
The beautiful vicarage on the Fjelberg Island lies a few minutes walk up from the fjord, in a compact enclosure with the church south of the main building and the bishop’s residence to the north; a rare harmonic cluster.
Kvinnherad Church
The stately Kvinnherad Church with its characteristic profile set out against the mighty Malmangernuten in the background, gives you a rare feeling of being present in a historic landscape as you come around Nes and face the well-kept houses at the Skåla farm. The church at Skåla is one of four “fjordungskirker” (one of four main district churches) and this farm was the centre of this coastal administration district.
Ænes
Ænes has been one of the prosperous farms at the Mauranger Fjord in medieval times. At the time of Harald Gilles, around 1130, we hear of GAUT at Ænes. The noble families around the Hardanger Fjord were prominent in the political sphere from early on, and it is obvious that the fine and openly situated farm at Ænes was also a good place for a Church.
Årsand
Below a south facing, steep rock at Årsand, there is one of the strangest ancient relics in the whole of Hordaland. The jutting rock wall forms a shallow flagstone – Geithilderen. Parts of the rock wall are covered by a light lime crust and on the crust figures have been painted in golden and rusty red colours.
Vangdal
At Salthamaren in Vangdalsberget it is thought that salt was burned some time in history, and deep layers of coal in the ground show that fire has been made up here several times. But they were hardly salt-burners, the first people who stopped here. Some of them carved figures into the rock. On top of the rocky outcrop, furthest out on the cliff, a group of Stone Age hunters carved animal figures. More than 1,500 years later Bronze Age farmers drew ship figures at the foot of the rock. Both these works of art - some of the oldest in Hordaland – are still visible, carved in the rock at Salthamaren.
Vikøy
Through Adolph Tidemand’s detailed close-ups of smokehouses in Kvam, the vicarage in Vikøy, where he lived during his painting trips through Hardanger, has obtained a central position in the Norwegian national romanticism.
