- Remove Museums, nature conservation, cultural heritage filter Museums, nature conservation, cultural heritage
- Remove Arkeologi filter Arkeologi
- Remove Vernacular arts filter Vernacular arts
- Remove Settlements, Villages, Towns filter Settlements, Villages, Towns
- Remove Fisheries filter Fisheries
- Remove Dialects and arts filter Dialects and arts
- Remove Mountain farms filter Mountain farms
Agastølen
Whoever wanders the mountain plateau will form time to time hit upon old mountain summer farms, with solid old stone sheds, half sunk into the ground; a building tradition that has roots into prehistoric times. When we have been satiated with untouched Nature, it is somewhat comforting to come upon the old mountain chalets - they represent a type of human encroachment that we not only accept, but appreciate. They arouse a feeling of recognition and are a distinct witness to how people in the rural communities have made use of even the most remote resources.
Goltasundet
For generations the land-seine was the most important tool for catching herring and mackerel, and therefore a suitable casting bay was worth its weight in gold. Goltasundet (the Golta sound) on Golta was such a place. Here the herring often drifted in and fantastic casts might be made here.
Huse
The farm Huse is situated on a broad terrace in the valley above the church and the commons ground in Kinsarvik. Huse is one of the largest farms in Kinsarvik. The house from the Middle Ages, still standing at Huse today, probably from the middle of 1200, is joined on to a house in the Swiss style from around 1890. This house, with a smoke-vent in the roof, bears witness of a grand old farm and of the chieftain’s power in early medieval times.
Kjerland
On the farms Kjerland and Røynstrond, east of the river that flows into the fjord, we find many decorative painters who belong to the so-called sòlekistemålarane in Hardanger: Knut and Mikkjel Røynstrand and Johannes Jonsson Kjærland.
Lysøen
Lysøen, this fairytale castle with its Russian-inspired onion dome on the corner turret, stands as a reminder of the diversity of the period called Historicism and a monument to a versatile artist; a key figure in the Norwegian National Romanticism.