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The smallholding Træet, Askøy

Træet

30.03.2018 - 08:56

Bogatunet, Radøy

Boga

18.06.2018 - 20:05

In the lightly undulating landscape at Boga there lies an old house with several rooms on a small rise. In fact it looks like three houses built into one another; a scullery, a living room and a store with a loft. From other sources we know that this house had covered passageways and sheds round all the walls in the 19th century; a compressed “long house” with inter-connections between all the rooms. This is a building style from the Middle Ages that we see traces of; a building corresponding to those we have seen remains of at Høybøen in Fjell and Lurekalven in Lindås. Bogatunet was restored in 2006.

Manger

Manger

18.06.2018 - 20:06

Mangerite is a rock type that was first made famous in a treatise by the Bergen geologist Carl Fredrik Kolderup in 1903. The rock type got its name from the place where it was found, and has made the Mangerud name well known around the world, at least among geologists.

Syltastova, Radøy

Sylta

18.06.2018 - 20:07

Ystebøtræet, Radøy

Ystebøtræet

18.06.2018 - 20:08

Nestunet by Nesvatnet.

Nes

13.12.2018 - 08:30

The farm Nes lies directly inside Mundheim on a forested headland in the fjord between Mundheimsvika and Bondesundet, a farm with an attractive and well-kept cultural landscape.

Norheimsund seen from Tolo around the turn of the former century.

Norheim

26.05.2018 - 16:38

Norheim, “the farm by the narrow sound” is mentioned in a diploma from the Middle Ages and in an inheritance document. This is one of the large farms in Hardanger, of those that belonged to the powerful families; Sandven in Kvam, Torsnes in Jondal, Aga in Ullensvang and Spånheim in Ulvik.

The décor from the Skogasel house

Skogasel

26.05.2018 - 23:35

The smokehouse at Vika

Vika

24.06.2018 - 15:28

Smokehouse in Vikøy

Vikøy

27.05.2018 - 15:04

Through Adolph Tidemand’s detailed close-ups of smokehouses in Kvam, the vicarage in Vikøy, where he lived during his painting trips through Hardanger, has obtained a central position in the Norwegian national romanticism.

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