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Mosnes
The permanently-protected Mosneselva River, with its meltwater from Folgefonna, runs out into Åkra Fjord by the roadless and uninhabited Mosnes. Those who once lived here were forced to surrender to the ravages of Nature. In the autumn of 1962 there was a flood so great that the people were driven from their farms.
Skånevik- moraine
In Skånevik there are marks left from the ice edge that advanced during the thousand-year cold spell (Younger Dryas) that marked the end of the Ice Age roughly 11 500 years ago. The glacier first proceeded out into Åkra Fjordand and around Vannes and thereafter sent an arm in toward Skånevik. Here, the glacier lay down an end moraine up against the mountainside.
The village of Etne
Much of the sand and gravel that the town of Etne is built on was laid down at the end of the Ice Age and is evidence of melting glaciers and roaring meltwater rivers. The uncompacted material in the big terraces leave their unmistakeable mark on the wide elongated valleys.
Tangarås
From his loft window on the doctor’s farm at Tangarås the young Hans Ernst Kinck had a view of the fjord and the Mauranger mountains. The fjord settlements in West Norway made a strong impression on the young boy when his family moved from Setesdal, from “the stifling mystique of the ballad”, to Strandebarm in 1876. The new district doctor bought the old captain’s farm at Tangarås, which had for some time been a military head farm after Håbrekke further into the settlement.
Vangdal
At Salthamaren in Vangdalsberget it is thought that salt was burned some time in history, and deep layers of coal in the ground show that fire has been made up here several times. But they were hardly salt-burners, the first people who stopped here. Some of them carved figures into the rock. On top of the rocky outcrop, furthest out on the cliff, a group of Stone Age hunters carved animal figures. More than 1,500 years later Bronze Age farmers drew ship figures at the foot of the rock. Both these works of art - some of the oldest in Hordaland – are still visible, carved in the rock at Salthamaren.
Vikøy
Through Adolph Tidemand’s detailed close-ups of smokehouses in Kvam, the vicarage in Vikøy, where he lived during his painting trips through Hardanger, has obtained a central position in the Norwegian national romanticism.
