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Fitjar- potatoes
The deep agricultural soils in Fitjar are found especially in the area between Lake Storavatnet and Breivika. The many stonewalls in the area reflect that the earth probably was full of stones and stone blocks. The stones that couldn't be dug out had also a function: they stored heat that helped to grow potatoes.
Årskog
Årskog farm is situated in a typical coastal landscape in a gentle terrain that slopes down from the outlying heaths down towards the fjord. The farm steading exists as it was in the 1800s. In 1980 the two brothers, Lars and Olai Årskog donated the farm with all its contents of tools and interior decoration, for museum purposes.
Huglo
The majority of Huglo is bare rock. A bit of dwarf pine forest is the only vegetation able to put down roots. Along the west- and east sides, to the contrary, the landscape is unusually green and lush. The reason lies both in the bedrock and in the ice that covered the area 12 000 years ago.
Hystad- the black alder forest
One of the biggest black alder forests in the country is in Hystadmarkjo. Along the well prepared trail through the forest you can experience an exceptional nature with an unusual abundance of exuberant plant species. But what has laid the foundation for this richness?
Ådlandsstova
The Ådland house is one of the biggest medieval houses still existing in West Norway. It is constructed from unusually large, hard fir wood, beautifully oval-cut. One story links the cottage to the Gildeskålbakken at Orninggård (Lower Ådland); thus indicating that the cottage has been the medieval banqueting hall. The building has been dated back to the 13-1400s by carbon dating.
Einstapevoll- the farm
Einstapevoll (from einstape: “bregne” (fern)) lies on the west side of the Tittelsnes peninsula. Up to 1831 the farm was a vicarage belonging to Stord parish. The priests had leasing rights. Land rent and other fees from the farm was part of their salaries.
In Memory of Fartein Valen
“Fartein Valen is the key figure within newer Norwegian music. Not by way of being more popular than other younger composers, but because he aims at things higher, which he is fully confident of being able to reach since he commands all techniques. But there is a price to pay for reaching above the ordinary, and there is a price to pay for demanding more than the ordinary from the listeners. This is something Valen has experienced”.