Støle

High above the sea and the beach flats, on one of the wide terraces shaped by the sea and the ice, lies the farm Støle (Stødle). The Old Norse name of Studla is derived from studill “support, shelf”. As far back as Viking times Støle has been a chieftain’s farm, a good farm on the plains formed by the moraine masses.

Fitjar- the King's farm

In front of Fitjar Church there is a memorial stone, sculpted by Anne Grimdalen and erected in 1961, for the thousand-year memorial of one of the most dramatic events in Norway’s history, the Battle of Fitjar. This was the place where Norway’s king, Håkon the Good, suffered his fatal injury in the fight with Eirik’s sons, probably in the year 961.

Rimbareid- Vestbøstad

At nesting time you cannot avoid hearing the calls of the curlew or the snipe along the narrow road through the cultural landscape from Rimbareid to Vestbøstad. And on late summer evenings, the intense song of the sedge warbler rings out over the two characteristic tarns in the area.

Iglatjødno

Litlabø

The first finds of pyrite at Litlabø in Stord came to light in 1864. Forty years later sulphuric ore was mined from an open mine. From 1874 to 1880 it was used for dynamite production. That came to a sudden end when the factory exploded and three people died.

Tveitavatnet

It is difficult to imagine that a plant can grow at the same place for many thousands of years: Climate and local environment change. Different species grow up and die out. Nonetheless, some plants get established, but don't manage to spread into new areas, because the climate is at the edge of what they can tolerate. Great fen-sedge is just such a plant.

Ådlandsvatnet

Plants that grow in and beside water have to be prepared for marked and rapid changes in their living conditions. They must be able to tolerate living under water without drowning, and getting totally dried out without whithering. Many swamp plants are well adapted to these kinds of changes.

In Memory of Fartein Valen

“Fartein Valen is the key figure within newer Norwegian music. Not by way of being more popular than other younger composers, but because he aims at things higher, which he is fully confident of being able to reach since he commands all techniques. But there is a price to pay for reaching above the ordinary, and there is a price to pay for demanding more than the ordinary from the listeners. This is something Valen has experienced”.

Lyngholmen

Flakkavågen