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Boga
In the lightly undulating landscape at Boga there lies an old house with several rooms on a small rise. In fact it looks like three houses built into one another; a scullery, a living room and a store with a loft. From other sources we know that this house had covered passageways and sheds round all the walls in the 19th century; a compressed “long house” with inter-connections between all the rooms. This is a building style from the Middle Ages that we see traces of; a building corresponding to those we have seen remains of at Høybøen in Fjell and Lurekalven in Lindås. Bogatunet was restored in 2006.
Holmeknappen
If you come by sea to Bergen and come up the Herdle Fjord, the yellow ochre marine shed at Holmeknappen is a well known landmark to starboard as you come close to the little shore settlement. In olden days Holmenknappen served important functions as a centre for a wide hinterland of the surrounding farms, warehouse, landing point, country store and later a steamer quay, a hotel (1896) and a dairy (1909). But today Holmeknappen is no longer a focal point. Transport and commercial routes have changed the old pattern
Hufthammar
Farming in Austevoll has nearly all been in combination with fishing as the main industry. The farms in the district are therefore small, even in a west Norwegian context.
Norheim
Norheim, “the farm by the narrow sound” is mentioned in a diploma from the Middle Ages and in an inheritance document. This is one of the large farms in Hardanger, of those that belonged to the powerful families; Sandven in Kvam, Torsnes in Jondal, Aga in Ullensvang and Spånheim in Ulvik.
Sæbøtunet
When you come into the well-tended farm steading at Sæbø just above Etne centre, you get the impression of a Sunnhordland farm from well before the time of the tractor; from the time of the horse and the scythe. The hamlet at Sæbø, one of the farms neighbouring to Gjerde, was taken over by Sunnhordland Folk Museum in 1938.
Vikøy
Through Adolph Tidemand’s detailed close-ups of smokehouses in Kvam, the vicarage in Vikøy, where he lived during his painting trips through Hardanger, has obtained a central position in the Norwegian national romanticism.