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Statue of Magnus Erlingsson by the Town Hall in Etne.

Støle

19.05.2018 - 20:53

High above the sea and the beach flats, on one of the wide terraces shaped by the sea and the ice, lies the farm Støle (Stødle). The Old Norse name of Studla is derived from studill “support, shelf”. As far back as Viking times Støle has been a chieftain’s farm, a good farm on the plains formed by the moraine masses.

Boat builder Magnus Trå tests the stability of the newly built four-ored boa

Strandebarm

27.05.2018 - 14:57

The décor from the Skogasel house

Skogasel

26.05.2018 - 23:35

Hardanger fartøyvernsenter

Hardanger Maritime Museum

03.07.2019 - 10:51

Rosemåling

Frette

06.03.2019 - 15:48

Boat engines, Norwegian Engine Museum in Skånevik

Skånevik- Norwegian engine museum

25.04.2018 - 21:25

Etne and the Etne delta around 1900.

Etnedeltaet

18.06.2018 - 20:23

During the latter half of the 1900s the big natural river deltas on Westland disappeared. Until the 1980s there was still a small, but significant remnant of the original river delta from the Etneelva river, but today most of this, too, is industrial land.

Nestunet by Nesvatnet.

Nes

13.12.2018 - 08:30

The farm Nes lies directly inside Mundheim on a forested headland in the fjord between Mundheimsvika and Bondesundet, a farm with an attractive and well-kept cultural landscape.

Sash-saw

Berge

03.12.2018 - 15:31

Down by the fjord on the farm Berge in Tørvikbygd, is Stekkavika – a sheltered eastward facing harbour, protected against the fjord by headlands and rocks, even manifest in the name. Here is also a comprehensive milieu of coastal industry, with boathouses and sea-sheds that belong to the farms Berge, Heradstveit and Halleråker. Belonging to the farm Berge there is also a mill-house, circular saw, workshop for sloop building, and – a little further up into the woods – the old water-powered sash-saw.

Smokehouse in Vikøy

Vikøy

27.05.2018 - 15:04

Through Adolph Tidemand’s detailed close-ups of smokehouses in Kvam, the vicarage in Vikøy, where he lived during his painting trips through Hardanger, has obtained a central position in the Norwegian national romanticism.

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